Music. In Theaters: Jan 17, 2014 Limited. for some language and brief lewd images. The elder Steinem reassures her that she will eventually: “Plenty of times, lots of times, speaking your mind will get you into trouble,” she tells her younger self with an amused smile at the memory of her own feistiness. Film Reviews . Why edit half the scene in color, half in black and white, like the early iPhoto effects of the mid-2000s? Gloria ist ein Drama aus dem Jahr 2013 von Sebastián Lelio mit Paulina García, Sergio Hernández und Coca Guazzini.. Im chilenischen Drama Gloria … It elevates your mood to such a point that you wish you could hug the screen out of sheer joy and recognition. Review: Honest Thief Is a Dried-Out Rehash of the Liam Neeson Actioner. Internationalen Filmfestspiele von Berlin mit dem Silbernen Bären für die beste Darstellerin ausgezeichnet. Gloria ist eine Hommage an eine ältere Frau (wunderbar gespielt von Paulina García), an eine »Nebenfigur«, wie Regisseur Sebastián Lelio sagt, der dabei seine Mutter vor Augen hatte, eine, die keine Weichen mehr stellt für die Schicksale anderer, die ihr Leben schon einmal gelebt hat, die ohne Groll auf ihre auseinandergebrochene Familie weiterlebt, mit ihrem Körper, ihren unbefriedigten Wünschen, mit … Gloria Steinem has lived such a long and significant life that it takes four actresses to play her—including two Oscar winners—in “The Glorias.” That device of having multiple performers portray the veteran journalist and activist, and sometimes even having them engage in conversations with each other, is the most effective element of director Julie Taymor’s effort to encompass a whole, complicated life while also avoiding traditional biopic tropes. Lorraine Toussaint and Julianne Moore in The Glorias. Gloria. Working from a script she co-wrote with Sarah Ruhl, based on Steinem’s autobiography My Life on the Road, Taymor hops around in time between Steinem’s youth in Toledo, Ohio and her worldwide travels in her 20s through the beginnings of her writing career and her key role in the women’s liberation movement of the 1960s and ‘70s. Most insidiously, it recasts Steinem’s hard-won political evolution into a hero’s journey of magical discoveries, in which she absorbs an intersectional approach through boldly stated themes said by people of color, then exhibits her exceptionalism by merely listening. Film. Der Film wurde im Wettbewerb der 63. Gloria - Film Review Home > Everywhere > Cinema | Film Reviews | Movie Reviews. The movie adheres to that road, but makes it way more of an uphill climb. Also noteworthy is John Tuturro in the film's … The film's acting is consistently strong, especially Julianne Moore. Steinem’s long life and career (she is now 86 years old) as a journalist, second-wave feminist leader and the co-founder of Ms Magazine in 1972 has been trailblazing and often heroic, if not immune to critique. A director needs a gimmick like a fish needs a bicycle. A review of The Glorias, a Gloria Steinem biopic in which Julianne Moore and Alicia Vikander are among the multiple actors who play the feminist icon. It’s such a relief when Moore finally takes the reins from Vikander, but the film still struggles to maintain its tone. Gloria ist eine chilenische Tragikomödie des Regisseurs Sebastián Lelio mit Paulina García in der Hauptrolle. It’s a shame, because the bantering of The Glorias has at its core a worthwhile message: that a woman can grow into owning her choices, and can synthesize her personal experiences into a coherent, expansive political philosophy. Read her answers to our Movie Love Questionnaire here. Fond of food. She mentions that his name is David and we briefly see them wed in a traditional Cherokee ceremony, but that’s it. And while there’s a continuity to the performances—the hair, the voice, those signature, oversized aviator glasses—each actress imbues her role with a specific vibe and edge as Steinem evolves. The rest of The Glorias is similarly obvious and cloying while also shifting wildly in tone. as Young Gloria Steinem, The TV Homages of WandaVision are an Amusing, Unfulfilling Distraction, On the Disempowerment of Promising Young Woman, Entertaining 30 Coins Examines Depths of Evil with Style. Streaming: Nov 15, 2015. Mrs America’s Steinem, played guilelessly by Rose Byrne, falters in judgment, grapples with her notoriety and instinctive press magnetism, and learns from the thorny gaps between the utopian vision of Ms Magazine and its actual environment for black and queer editors. But the film quickly skims past one key chance to shed more light on her personal life. Julianne Moore as Gloria Steinem and Bette Midler as Bella Abzug in The Glorias. Gloria is a divorced woman in her late fifties who still enjoys the active aspects of life and who find companionship, love even, in the 65-years-old Rodolfo. The cinematography from the great Rodrigo Prieto (who also shot Taymor’s “Frida”) gives each of these eras a lush and distinctive texture, and the use of stark black and white provides a striking contrast as the various Glorias chat on the bus. Julianne Moore gets the bulk of the screen time as Steinem from her Ms. Magazine years and beyond, and radiates both indignant idealism and world-weary wisdom. Published February 23rd 2014. It gives meaning to an entire project, an entire life, in the fact of deeper, darker adversity in the days ahead. The film is linear in that we go from young Gloria to contemporary Gloria, and yet there’s so much jumbling around in the first hour that it weakens the emotional impact of just about everything. Some of the VFX … Fünf Jahre nach seinem ersten „Gloria“-Film bringt der chilenische Regisseur Sebastián Lelio eine amerikanische Adaption seines Films in die Kinos. The young Steinem, book-hungry and observant, is close with her father, Leo (Timothy Hutton) an itinerant and unreliable antiques dealer who keeps the family on the move. There doesn’t seem to be a reason other than to gesture at depth – one of many baffling artistic choices that turn a nearly two-and-a-half-hour film on what should be a fascinating, mettlesome, complicated character study into an uneven, trite and at times laughably shoddy mess. Production: A Page Fifty-Four Pictures production. The film is properly paced and never feels too long or too short. Gloria ein Film von Sidney Lumet mit Bobby Cannavale, Sarita Choudhury. All four versions of Steinem commingle, in that uncomfortable black and white, on the bus to nowhere, for grimace-inducing scenes which serve to make broad thematic statements. The movie is honest and sentimental, but never emotionally exploitive. „Gloria“ – Hintergründe. The Glorias’ conversations on a bus ride that serves as the film’s through-line illuminate this arc further. That’s a good faith reading of a project that I would like to believe was intended to do more than just lionize its star by sanding down her real, human complications. But at nearly 2 ½ hours, “The Glorias” does feel a touch too long toward the end. Why edit half the scene in color, half in black and white, like the early iPhoto effects of the mid-2000s? But Steinem’s mother also had been a promising journalist—albeit under a male pseudonym, an unfortunate necessity back then—which lays the groundwork for her own path. Before that, we see little Gloria (Ryan Kiera Armstrong), an energetic girl who worshipped her struggling entrepreneur dad (a charismatic Timothy Hutton), and teenage Gloria (Lulu Wilson), who learned how to fight for others by caring for her physically and mentally ailing mother (Enid Graham). The Glorias, by contrast, glosses over the intense and generative intersectional conflicts within the feminist movement in favor of an inhumanly rosy fantasy: a collection of diverse women standing around a table, laughing and agreeing with one another. For a film to provide that level of courage and faith in the face of moments of despair is quite a feat, and a testament to the ultimately effective product that “ The Glorias ” delivers. Steinem’s wit, grit and personality, her longtime work as a feminist icon and the relationships she builds with other civil rights leaders provide more than enough material for a fascinating film. Even though Gloria sees the "handwriting on the wall" she has to decide whether she will succumb to this hurtful environment or return to her lonely existence. R , 1h 49m. There doesn’t seem to be a reason other than to gesture at depth – one of many baffling artistic choices that turn a nearly two-and-a-half-hour film on what should be a fascinating, mettlesome, complicated character study into an uneven, trite and at times laughably shoddy mess. The Glorias Director: Julie Taymor Page Fifty-Four Pictures Streaming on Video on Demand and Amazon Prime: 09.30. The Glorias is available on Amazon Prime in the US from 30 September with a UK date to be announced, The Trial of the Chicago 7 review - totally exasperating court drama. Auf DVD und Blu-Ray Sie war in den 1940er Jahren künstlerisch und in den 1950er Jahren wirtschaftlich die grösste Konkurrentin der Praesens-Film. It’s a missed opportunity to help us understand her beyond her public persona. I thought this movie, directed and co-written ( with Gonzalo Maza) by Chilean filmmaker Sebastian Lelio, lost its' way at times and became difficult to watch. It’s a personal decision. The site's consensus is "Marvelously directed by Sebastian Lelio and beautifully led by a powerful performance from Paulina Garcia, Gloria takes an honest, sweetly poignant look at a type of character that's all too often neglected in Hollywood." The Glorias’ conversations on a bus ride that serves as the film’s through-line illuminate this arc further. Another film might have mined Steinem’s remarkable life for its complications and contradictions, but The Glorias settles for slapdash iconography – Steinem picks out her signature aviators because as a saleswoman laments they “hide your beautiful face”, and declares “Martin Luther King is leading his civil rights march on Washington. When she finally does get married at 66, it feels like an afterthought: Who is this person who dazzled her so thoroughly that she changed her mind on such a crucial stance? In the Chilean film “Gloria,” directed by Sebastián Lelio, a heroine in her late 50s embraces passion and romance. It takes less than a minute into The Glorias, the director Julie Taymor’s shallow biopic of the feminist icon Gloria Steinem, to realize something is off. They’re all engaging scene stealers in showy, entertaining roles. And the visual tricks Taymor employs to reflect Steinem’s inner state seem like filler, a distraction, even though they’re the kind of inventive flights of fancy the director has become known for through productions like her Broadway staging of “The Lion King” and films including “Across the Universe” and “The Tempest.” A contentious TV interview that turns into a whirling, swirling, “Wizard of Oz” homage is especially out of place. Review: This Is Not a Movie Is a Smart, Clear-Eyed Tribute to Robert Fisk. America,” to revisit this tumultuous era from Steinem’s perspective. The costumes are also key to the portrayal of other larger-than-life feminist figures including Bette Midler as former Congresswoman Bella Abzug, Lorraine Toussaint as lawyer Flo Kennedy and Janelle Monáe as Ms. Magazine co-founder Dorothy Pitman Hughes. Sitting side by side, the wind in their center-parted hair, Vikander-as-Steinem laments to Moore-as-Steinem that she wishes she’d spoken up and fought back more when male colleagues and editors discouraged, objectified harassed her. What’s elegant and efficient in the storytelling of “The Glorias” is the way it reveals how each person and experience throughout her life shaped her ideology and sense of purpose. Rated R It’s also enlightening, on the heels of the excellent Hulu series “Mrs. Christy reviewed films for The Associated Press for over 14 years. Still, “The Glorias” is consistently a visual treat, as you’d expect from Taymor. But Alicia Vikander meets and exceeds her own challenges as a younger Steinem, from her time at Smith College through her travels in India and her groundbreaking, undercover Playboy Bunny article, which put her on the map in 1963. t takes less than a minute into The Glorias, the director Julie Taymor’s shallow biopic of the feminist icon Gloria Steinem, to realize something is off. Der Film zeigt den Umgang geschiedener Menschen mit der Liebe an der Grenze zum Alter. A topic that crops up throughout the movie is Steinem’s choice to remain single at a time when women were expected to get married and have children. Its script is simple yet subversive, eventually creating an impact on the viewer that will have them thinking long after the credits roll. Review: Rebecca Unimaginatively Runs a Classic Through a Netflix Filter. Four iterations of Steinem at different ages – child (Ryan Kiera Armstrong), teen (Lulu Wilson), young woman (Alicia Vikander), and middle-aged (Julianne Moore) – sit on an old Greyhound bus going … somewhere, each shaded a strange and uncomfortably wan gray against the colorful scenery out the window. Divorced, Mature & Looking for Love. (Steinem was married to David Bale, entrepreneur and environmental activist and the father of Christian Bale, from 2000 until his death in 2003.) romance , drama. The Glorias review – Gloria Steinem biopic is a laughably shoddy mess. In … Die Gloriafilm AG war eine Schweizer Filmproduktionsgesellschaft mit Sitz in Zürich. Gloria movie reviews & Metacritic score: When a young boy's family is killed by the mob, their tough neighbor Gloria becomes his reluctant guardian. On Rotten Tomatoes the film has a "Certified Fresh" approval rating of 99% based on 128 reviews, with an average rating of 7.9/10. Avoiding … Gloria movie reviews & Metacritic score: Gloria is a "woman of a certain age" but still feels young. Julie Taymor’s film on the multiple life stages of the defining feminist turns what should be a fascinating character study into an embarrassing disaster, Last modified on Tue 29 Sep 2020 10.41 BST. Black feminist leaders such as Dorothy Pitman Hughes (Janelle Monáe) and Flo Kennedy (Lorraine Toussaint), labor rights leader Dolores Huerta (Monica Sanchez), and Native American activist and real-life best friend Wilma Mankiller (Kimberly Guerrero) serve merely as imparters of wisdom quickly huddled under Steinem’s star power rather than complicating, sparring minds of their own. I wish all the different ideas at play were more cohesive, and quite frankly, better done. Ryan Kiera Armstrong She's also on Twitter @christylemire and on Facebook at https://www.facebook.com/christy.lemire2. Interview: Garrett Bradley on Exploring Human Dimensionality in Time. The Chilean … Four iterations of Steinem at different ages – child (Ryan Kiera Armstrong), teen (Lulu Wilson), young woman (Alicia Vikander), and middle-aged (Julianne Moore) – sit on an old Greyhound bus going … somewhere, each shaded a strange and uncomfortably wan gray against the colorful scenery out the window. As a teenager, Steinem cares for her mother (Enid Graham), an invalid struggling with mental illness, in Toledo, Ohio, after Leo abandons the family for the open road. Sitting side by side, the wind in their center-parted hair, Vikander-as-Steinem laments to Moore-as-Steinem that she wishes she’d spoken up and fought back more when male colleagues and editors discouraged, objectified harassed her. (CNN)Multiple actresses play Gloria Steinem at different ages in "The Glorias," a more conventional version of the device used in the Bob Dylan biography "I'm … Gloria sets an example for films named after its main character, since its effectiveness completely hinges on Paulina García’s performance as the titular female, which she aces. It’s a gimmick, sure, but also an insightful depiction of the kind of talk we all wish we could have with ourselves in our teens and 20s. Director: Sebastian Lelio (La Sagrada Familia, Christmas, El Ano del Tigre) Cast: Paulina Garcia, Sergio Hernandez, Diego Fontecilla . The nowhere bus, ultimately, colors in with a sea of pink “pussy’ hats and the real Steinem, en route to the 2017 Women’s March in Washington – a genuinely inspiring show of feminist activism whose many rough edges and various hues are, like Steinem’s biography in The Glorias, leached of their power in favor of an easy story. Running time: 139 MIN. The elder Steinem reassures her that she will eventually: “Plenty … I want to cover it!”. Gloria, "Gloria"—hallelujah! Directed By: Sebastián Lelio. Gloria: Thriller 1998 von Lee Rich/Gary Foster mit Sharon Stone/George C. Scott/Bonnie Bedelia. She's terrific, and manages to convey both a genuine sense of intuition and a vivacious sense of loving life at the same time. The pain from this period occasionally leaks into an overlong stretch of time in which a miscast Vikander plays Steinem as a recent college graduate in India and later intrepid young writer in New York with a jarringly bad attempt at Steinem’s midwestern accent, flat but with none of the heartiness. The 75 Best Horror Movies of the 21st Century . The conceit of a character communing with her past ghosts is not an inherently cringey one – HBO’s The Tale successfully provoked unsettling admissions of complicity and the revisions of memory by pitting different-aged versions of its main character against herself. The Glorias’ main conceit of multiple Steinems feels, by contrast, like a shallow gimmick whose potential is squandered by bizarre directing choices – one scene that commutes anger into a red-hued, poorly executed Wizard of Oz tornado dream sequence made me cackle out loud. Also, I thought the explicit sex scenes and graphic nudity seemed to be more often … Specifically, we see men ask her why she isn’t married in a series of interviews; naturally, she bristles. by Richard Leathem . For the most part, she’s successful. And the clothes from legendary costume designer Sandy Powell are, as always, to die for; far more than an elaborate and groovy game of dress-up, Steinem’s clothes tell a story all their own in signaling her development, from the slim minidresses she wore as an ambitious young journalist to what became her go-to uniform of a black, long-sleeved top, black pants and boots. Just when you think she’s heading into cliched territory, Taymor mixes it up, plays with structure, and subverts your expectations. Sebastián Lelio's tale of a divorcee in a new relationship perhaps has a wider resonance for Chile's Pinochet generation Melbourne based cinephile. At the center is Steinem—still with us and still fighting at age 86. Gloria ein Film von Sebastián Lelio mit Paulina García, Sergio Hernandez. The screenplay by Taymor and Sarah Ruhl splices scenes from Steinem’s life into a narrative whose general trajectory is chronological but seesaws awkwardly between the years. Freelance writer. Now available on Amazon Prime and other digital platforms. Review: Gloria. There is that feeling you get inside when a movie suddenly starts to push your every button, creating an emotional connection that goes beyond pure reason and mere emotion. Though lonely, she makes the best of her situation and … You can find Christy's writing at ChristyLemire.com. And sadly, what she has to say is just as relevant now as it was 50 years ago. ‘The Glorias’: Film Review Reviewed at Sundance Film Festival, Jan. 26, 2020. Moore plays some of the feminist movement’s greatest iconographic hits – the 1977 National Women’s Conference, the first issue of Ms Magazine – as the fully grown Steinem. Gloria – review 4 / 5 stars 4 out of 5 stars. But instead of meaningful conflict, The Glorias, based on Steinem’s 2015 memoir My Life on the Road, presents Steinem as an unerring and widely appealing hero, one who can drop into a bar in South Dakota, as Moore’s iteration does in the film’s opening minutes, and receive praise from a female biker for inspiring her to “take to the road on my own” before speeding away in the reflection of Steinem’s signature aviator shades. Your truth has marched its way into my heart. That is what "Gloria" did to me. 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