French composer Maurice Duruflé's Requiem (Opus 9) for chorus and organ will be featured at the Northwest Choral Society's ("NWCS") concert, "In … Whether it's choirs that don't know how to blend, an orchestra that doesn't know how to stay together, or any combination of choirs and instrumentalists that don't know how to play in tune, this gorgeous piece in its full orchestral version does not yet appear to have received the treatment it deserves. While this is appropriate at times -- this is, after all, a requiem -- I felt it eventually bogged the performance down. Here is a "clickable" Table of the available Midi Files for this Work (this version has an "orchestral" backing; if you want an "organ" version, it's here).Note that, for the most part, where a Voice is, in the Work, split into two, the relevant Files have been correspondingly divided. In paradisum (Live), an album by Maurice Duruflé, University of Northern Iowa Concert Chorale, University of Northern Iowa Varsity Men's Glee Club, John Wiles on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. She has a great voice certainly, but this music would be better suited to a more restrained performance. While not everyone will give this magnificent recording the chance it deserves because it may seem irreverent to praise full-bodied performances of two delicate French masterpieces, those who truly love both the Fauré and Duruflé Requiems will find much to love here. I'm sure the Faure Requiem was probably ahead of its time, yet Durufle fuses Gregorian chant, Medieval & 20th century concepts & every range of human emotion into something profound. Sometimes the orchestra eclipsed the solo voices. Sadly, this recording is no exception. Faure certainly didn't intend these lovely pieces as show-stoppers, but that is what we get here. Atma: ACD22779. Unable to add item to List. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. In Paradisum In 1947, Maurice Duruflé was already working on a suite of pieces for organ based on the Gregorian chants for the requiem mass (the service for the dead), when he was commissioned by his publisher Durand to write a large-scale work based on those texts. While this is appropriate at times -- this is, after all, a requiem -- I felt it eventually bogged the performance down. Reviewed in the United States on January 3, 2008. Fauré*, Duruflé* - Kiri Te Kanawa, Lucia Popp, Siegmund Nimsgern, The Ambrosian Singers, Philharmonia Orchestra, Andrew Davis - Requiem, Op. Chung did much better with Messaien's Turangalîla Symphony, a recording that the composer himself lauded. The artists are wonderful singers, but, the pace of the performance seems too slow and slightly pedestrian. The Music for the Requiem Mass is any music that accompanies the Requiem, a Mass in the Catholic Church for the deceased. A revisit because more stars need to show, Reviewed in the United States on April 27, 2001. Top subscription boxes – right to your door, BARTOLI / TERFEL / ST CECILIA ACADEMY ORCH / CHUNG, © 1996-2020, Amazon.com, Inc. or its affiliates. The major problem is the two big "show-stopper" numbers, the "Pie Jesu" for Bartoli and the "Libera me" for Terfel. In short, two performances to treasure. Cecilia Bartoli / Bryn Terfel // ( Coro* E Orchestra Dell'Accademia Nazionale Di Santa Cecilia) / Myung-Whun Chung - In Paradisum // Fauré . There was an error retrieving your Wish Lists. By Jean-Jacques Gruenwald Jeremy Backhouse & Vasari Singers. DG's recording is one of the best digital CDs I've heard from them. 48 / Requiem, Op. But one could learn to live with her interpretation, I suppose. Your recently viewed items and featured recommendations, Select the department you want to search in. And here he draws upon the Chorus and Orchestra of the Accademia Nazionale di Santa Cecilia as well as the full-bodied, intelligent and sensitive voices of singers Bryn Terfel and Cecilia Bartoli as his soloists. Faure is many things: subtle, elegant, graceful, melodic, and haunting, all about in equal measure. TITLE TIME; Requiem, Op. Preview. St. Mary's Cathedral Choir Program. But Bartoli's style of singing does not lend itself to the gentler solo passage in this piece, and the rest is simply lacking. Try as I might, I cannot listen to it. There's a problem loading this menu right now. Although Duruflé denied it, his Requiem certainly seems as if it were modeled on Fauré’s famous counterpart. HIGHLY RECOMMENDED. It makes an apt and generous coupling to have the Faure Requiem alongside the closely related Durufle work. It is very hard to describe just how monumentally wrong-headed his approach is--the proverbial bull in a china shop. Saint Brigid School Honor Choir Cathedral Choir Cathedral Schola Cantorum Coro Hispano. 9 (CD) Sony Classical SBK 67182 The result gives a solid, spacious context for Fauré's modal lyricism, his interplay of light and shadow, to unfold. We work hard to protect your security and privacy. because of three vital components: Bryn Terfel, whose dark timbre resonants in both Requiems, the equally as impressive Cecila Bartoli, and finally, the chorus of the dell'Accademia Nazionale di Santa Cecilia. In paradisum (English: "Into paradise") is an antiphon from the traditional Latin liturgy of the Western Church Requiem Mass.It is sung by the choir as the body is being taken out of the church. The patient serenity of its culminating In Paradisum seems to offer a harmony of the spheres for our age of anxiety. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Though soloists appear in only six out of 16 movements in all, having star singers certainly adds to the attractions, when both Cecilia Bartoli and Bryn Terfel sing with fervour, bringing out the word-meaning dramatically to defy any idea that these are just sweetly reflective pieces. The text of the In paradisum — with or without the Gregorian melody itself — is sometimes included in musical settings of the Requiem Mass, such as those by Gabriel Fauré and Maurice Duruflé Valerie the music teacher, Reviewed in the United Kingdom on May 14, 2015, Arrived in time - music as you would expect, Reviewed in the United Kingdom on February 14, 2016, The CD does not seem to have the full reuiem. But one could learn to live with her interpretation, I suppose. Duruflé: Requiem (CD, Album) Deutsche Grammophon, Deutsche Grammophon: 459 365-2, 459 365-2 GH: Europe: 1998: Sell This Version Reviewed in the United States on October 6, 2013, Reviewed in the United Kingdom on March 15, 2016. Chung did much better with Messaien's Turangalîla Symphony, a recording that the composer himself lauded. Reviewed in the United States on January 3, 2008. < Slight alternate cover. For those of you unfamiliar with this work, there are literally dozens of more attractive recordings of this work. His Arkel set the standard for Debussyan chanson, too, and in considering that, this Terfel performance seems well within the French tradition and not Puccinian verismo at all. For those of you familiar with Faure, you may want to hear Terfel's performance once for its shock value, but this Requiem is most likely not going to appeal to you for very long, unless, of course, you are a fan of the Ethel Merman approach to this repertoire. 48 / Requiem, Op. I have 17 versions and this I rate at No, 5. --Thomas May Reviewed in the United States on January 9, 2009. Anytime, anywhere, across your devices. 9, is a setting of the Latin Requiem by Maurice Duruflé for a solo voice, mixed choir, and organ, or orchestra with organ. Complete your Fauré* • Duruflé* • Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus • Judith Blegen, James Morris collection. I'm sorry not to be a fan of these French composers - indeed, rarely something French catches my eye, or my ears, as on this occasion. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. Reviewed in the United States on June 15, 2000. Creatively & emotionally, Durufle created something so unique, & with such range of emotion, that the Faure piece just never quite matches it. Orchestrated edition from 1899 and exclusive access to music, movies, TV, books, magazines more. 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